Both Rembrandt and Picasso had their own individual art styles that each conveyed their own reflection of their lives and the era in which they lived. Rembrandt, an artist of the 17th century, had many styles that involved a wide range of interests, including ancient sculpture, Italian Renaissance paintings, Contemporary Dutch works, Far Eastern art, and Dutch Baroque Realism. Despite the great recognition he achieved in his early life, the many tragedies and sorrows he experienced influenced his artwork; he eventually transitioned from bright, vivid colors to duller brown and yellow muddy colors as well as a more contemplative mood in his paintings. His art was highly personal and not nearly as influenced from his social surroundings as Picasso’s. Most of them involved portraits including many self-portraits, as well as biblical works.
Picasso, just like Rembrandt, also went through a period of many styles, including realism and caricature as well as the Blue Period and Rose Period. Eventually he settled on analytic cubism and it became a highly distinctive style, often utilizing neutral colors such as brown. Aside from cubism, he also focused on classicism and surrealism, and in 1937 he painted what may very well be the one of the most famous artworks created of the Spanish Civil War: Guernica. Guernica’s unique style depicted the horrors and brutality of the war through the figures; distorted and chaotic, they illustrated the many emotional tragedies that occurred during this time. For example, in this painting one can see a woman crying over her lost child, a wounded horse, and the man trampled underneath it. Throughout Picasso’s artwork, there are numerous social statements implicit that reflected upon much turmoil during this time of his life. Unlike Rembrandt, however, Picasso focused more on the outside influences of his paintings rather than personal, and mirrored the current state of the times in his artwork. Throughout most of his life, he continued to paint with abstract shapes and figures and experiment with other styles, forming what would later be called neo-expressionism and highly regarded by many artists and critics alike.