misanthrope

The Misanthrope

In “The Misanthrope” by Molière, an important aspect of the play is created through the invoking of “thoughtful laughter” within and to the audience. This “thoughtful laughter” is found essentially as a product of Molière’s ironic elements in the play, which allow the audience to consider and relate the actions and thoughts of the characters more deeply.

In Act II, Scenes 1 and 2, the overarching irony of the play is presented between the interaction of Alceste and Celimène. This instance of irony is incredibly amusing. Alceste, the supposed misanthrope, has fallen deeply in love with the person, Celimène, who exemplifies the part of society he despises. Yet, it also suggests the idea of contradiction between one’s values and one’s happiness. Alceste, despite his best logic, cannot help succumb to his own heart’s desires. He loves Celimène, and Molière milks this irony for all it is worth. Irony allows insight into the situations and experiences that make us human, permitting us to laugh at ourselves. Alceste’s experience is neither unique nor uncommon and this ironic situation between the play’s main characters is very relatable, allowing the audience this chance to view human nature lightheartedly.

Overall, the presentation of humor as an intelligent, contemplative plot element with deeper meaning through irony provides a play with more direct and crucial insight into the way we as humans think and act. These subtle instances of human thought and character define the meaning of thoughtful laughter and it’s effect make Molière’s “The Misanthrope” a much greater and accurate depiction of the antics that make us human.

Theo Mandin-Lee Period 4